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Issue link: https://digital.miamilivingmagazine.com/i/1543371
Yodezeen, Jack Lonetto, Marc-Michaels, and Audrey Lane? Christian Claramonte: The creative process was deeply collaborative and never constrained by a single approach. With YODEZEEN, the dialogue began at an architectural scale. Their work is rooted in atmosphere, material tension, and spatial drama, so the process focused on translating those monumental, tactile environments into surfaces that still carried weight and presence. It was about distilling architecture into texture—bold, grounded, and immersive. Jack Lonetto approached the collection through a graphic, rhythm-based framework informed by the discipline of Japanese ink brushwork. The collaboration unfolded as an iterative exploration of balance, repetition, and contrast, where measured structure meets the fluidity of gesture. Through continuous refinement, the patterns achieved clarity and intent, allowing the logic of the design to remain precise while the expression stays organic and alive. With Marc-Michaels Interior Design, the process was guided by refinement and mastery of detail. Their understanding of luxury interiors brought a nuanced perspective on proportion, layering, and elegance. Every decision was deliberate, ensuring the designs would feel timeless yet expressive within sophisticated spaces. Audrey Lane brought an instinctive, artistic sensitivity to the process. Working with them was about intuition—embracing organic movement, softness, and emotion. The collaboration allowed patterns to emerge naturally, resulting in designs that feel expressive, fluid, and tactile. Across all four collaborations, our role at Casamonte was to act as both translator and curator—honoring each designer’s creative language while guiding the collections. The result is a body of work that feels