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Fernanda: I was lucky to be part of a band that achieved tremendous success, and I had the opportunity to experience that success from a young age, at 20 years old. So, when I embarked on my solo career, I had the chance to build it calmly, without anxiety and without internal pressure in the pursuit of success, and that gave me a lot of creative freedom, confidence, and courage. In this sense, I believe that my experience in Blitz was very important for the success of my solo career. ML: Recently, you performed in Miami at the Inffinito Brazilian Film Festival. What was the experience of playing for an international audience, and what do you think Miami, with its strong connection to Brazil and Latin America, represents for your music? Fernanda: It was beautiful! The audience was very receptive, and the show was a success! ML: Share some memorable moments you experienced in Miami. Also, tell us about some of your favorite places and things you enjoy doing while in Miami. Fernanda: I enjoy walking along the beach, taking in the views of South Beach and its palm trees and coconut trees, experiencing the diversity of languages, people, and styles. I also got to jam with a very iconic Brazilian band from the ’70s, Azymuth, at Dante’s Hi Fi. But the heat is very intense and humid in the summer. ML: Throughout your career, you have addressed important social themes, such as diversity and urban life. What is the role of music in provoking social and political reflections in today’s Brazil? Fernanda: Music is the vehicle, and the artist is the voice that communicates! However, not all artists need to think this way, and I don’t judge them. But I do think this way. I am a political being, living in Brazil, and I cannot be completely happy while there are children going hungry in my country. Especially in a rich country like Brazil, the eighth-largest economy in the world! Our problem is that we have a dominant class of politicians, landowners, and businessmen who do not want to give up any privilege. There is a lot of discussion about violence in Rio de Janeiro, in cities, and in the countryside of Brazil, but until there is a more balanced distribution of income and real opportunities for the population, we will always be walking on a tightrope of unfair inequality that leads the country to violence. But it’s important to emphasize that I do not make militant or pamphlet-style music, and I do not like political or ideological policing. The beauty of being an artist is to entertain while provoking thought and reflecting on the human soul. ML: How do you balance your music career with your personal life? Are there rituals or routines that help you disconnect? Fernanda: I don’t disconnect. Life is this wonderful “package”! Living for art, music, and dance is a blessing! Working with what you love is a blessing! So, my life is this mix of always traveling on weekends for shows, being in the studio, giving interviews, creating content for social media, and enjoying comments from my fans, who are very loving and respectful, while spending time with my daughters, my husband, my friends, and family, and taking care of my home. ML: Can you share details about upcoming music releases or collaborations that excite you? Feel free to share any personal projects as well! Fernanda: I have several projects that I don’t yet know when I will carry out. Some projects are related to my catalog, and others are new. In 2025, I want to celebrate two milestones in my career. My first album, “SLA Radical,” will commemorate 35 years, and the iconic album “Da Lata,” will celebrate 30 years. I want to release vinyl, a photo book, and a short documentary. Regarding new projects, I have the idea of releasing an album of new songs and another album as an interpreter, which I have never done in my career since my albums have always been original works. For more information, visit fernandaabreu.com.br or connect with her on Instagram at @fernandaabreureal