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I would think that frame of mind leaves little to no room for doubt, or for looking to the left or to the right, and all of that. ST: And it is a frame of mind. It's almost a type of meditation and a very focused process, for sure. You're now in your second residency titled, "Shania Twain 'Let's Go!' The Las Vegas Residency." What's different from the first Las Vegas Residency you did? ST: This Las Vegas Residency at Zappos [Theater] at Planet Hollywood Resort & Casino is very much geared to the spirit of the room. The atmosphere of the room is very informal. I designed the show so that when I bring people up onto the stage, they're part of the story, in that vignette, and in that moment of the show. For example, I'll have a couple come up and sit in the most romantic seat in the house, which is on the stage, and I wrote a white glove experience for them into the show, while they're up on stage. So, they've got the best seat in the house, the white glove treatment, they're given champagne, and they're serenaded with "From This Moment On" [from her 1997 record-breaking album, Come on Over]. I did that, obviously, because so many people have been married to my song, "From This Moment On." I've also heard your show described as a musical party. ST: And that's the more country influenced part of the show, where I've organized a saloon set for people to come up and dance. I created a specific choreography of a line dance can-can. It's quite funny and light-spirited, and very much built for the audience to be in the show. It's a stand-up room, it's a party room, so I thought "Let's Go!" would be the perfect trigger title to capture that mood. I love that! I know that your mother was your greatest champion and your greatest cheerleader for your career when you were a child. She died, along with your father, in a car accident when you were only 21. If you could magically cross dimensions for just a moment to have a conversation with your mother, to either tell her something or to ask her something, what would you say? ST: I would probably ask her how she recognized my talent at such a young age. I always wondered what made her feel that I was so capable, and how she recognized that in me, because she was not musical, herself, at all. And to sacrifice and push so hard for me, she must have believed in it intensely. I mean, it must have been really obvious to her, but I still can't imagine. I guess if you have a three or four-year-old downhill skier who's, right before your eyes, skiing better than everybody else, you can bet that with training they're going to be a champion. But with music, I'm not sure it's as obvious. So, I applaud her for that, and I'd want to talk to her about that. She sacrificed so much to develop my music. So yes, it was her conviction. I'd want to ask her, "Where did that conviction come from?" Let's talk about your second movie, I Still Believe, coming out March 13th. The trailer made me cry. It's inspired by the true story of Christian singer/ songwriter Jeremy Camp, and depicts the love story between him and his first wife, Melissa, who died of ovarian cancer a year after they married. Speaking of conviction, Jeremy knew he likely had limited time with Melissa, but he was so devoted to her. You play Jeremy's mother, Terry Camp, in the film. Do you think you could ever be 100% all in a relationship knowing you would likely lose the person like that? Would you, Shania, take that risk? ST: Yes! I would do that. It's a heartbreaking story, but I think it's just best to jump in sometimes and live in the moment, not knowing where it will end, and even if there is a probability that it will end badly. I think love is never a waste of time. It's never a loss, but always a gain. This movie proves that in the most magnificent way, and in the most selfless way possible. And true love is selfless. It was very moving, very inspiring, and the ultimate act of selflessness, which love should be. You've had two great experiences on film, so far. Your first movie, 2019's Trading Paint, you worked opposite John Travolta, and in I Still Believe you worked with Gary Sinise, two incredibly gifted actors. What have you learned so far? ST: They are both so experienced as actors, and they influenced me a lot. I learned a lot from them. They were kind and very helpful and made me feel very much at ease; and I just loved being on the set. John Travolta made me feel very comfortable, and a film set is somewhere I feel I belong. It comes to me very naturally. I have no nerves about it or anything like that, and I really would love to do more on film, so it sparked an interest I didn't realize I had. It's a newfound joy in my life where I can be creative and step out of myself like no other element in my career. Have you started thinking about what your legacy is going to be? Do you think about that at all? ST: Well, I don't think too much about the end [laughs]. [Laughs] Sorry! I don't want to be dark and grim. It came to mind because when I was watching this