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is topped with a thick, cantilevered live-edge Ipe wood slab, and oriented parallel to the cabinetry in efforts to maintain the flow of the space. Thin polished brass stools with navy slate blue cushions from Haute Living adorn the near side of the island. Above the island, an angled white LED linear pendant from Vibia provides an additional architectural layer. Past the island, perpendicular to the kitchen sink, a floor-to-ceiling painting depicting a distressed naked woman in heels wrapped in luxury brand logos, was selected and curated by the homeowners.Beyond the kitchen, a neutral color scheme makes up the living room space with its adjacent floor-to-ceiling windows, providing expansive oceanfront views of Fort Lauderdale’s beaches.Directly across, a taupe, leather L-shaped sofa lines the windows, creating a soft conversation with its neighboring beaches, landscape, and opulent courtyard. In the middle of the sitting area, a coffee table from Holly Hunt humbly brings the outside in with its concrete stone-like shape, minted in varying textures and different shades of gray. Beneath, an off-white area rug with a deep gray smokey pattern from The Rug Company brings the space together. Built into the Ipe wood ceilings, a hidden LED pocket paired with industrial surface mount Delta light fixtures provide the perfect balance of subtle indirect cove lighting, and direct accent lighting. To the right of the living room, bronzed sliding glass doors from Ornane lead to the master bedroom. Previously housing a small closet that connected a Jack-and-Jill bathroom, Jimenez transformed the master bedroom into a contemporary suite with a full walk-in closet and master bathroom refuge. Across the sleek light gray king-sized bed hangs a sculptural, three-dimensional mirror from Holly Hunt, creating an artistic dynamis, perfect for the art collecting inhabitants. Separated by a set of frosted bronzed sliding glass doors from Ornare, the master bathroom sits at the pinnacle of luxury with an elevated freestanding tub, situated in front a wall cladded in an Ann Sacks Eros Gray marble slabs. Creating its own moment, the tub was installed on top of a raised platform, connected to the space through the continuation of the large format porcelain floor tiles from one level to the next. This moment was then adequately adorned and miseltoled with a cluster of Vibia’s understated Cosmos Pendants. The adjacent wall is composed of white, vertically oriented convexed tiles with an intersecting linear design, ultimately appearing as thin, visually intriguing X-shaped patterns. To learn more visit www.raymondnicolas.com By ML Staff | Images courtesy of Richard Powers