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Climate Hope

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and you’ll be kicking yourself, but don’t. Don’t beat yourself up (laughs). Catherine: I’m sure. I’m sure. Allison: If you don’t mind me asking, how old are you and why have you opted to freeze your eggs? Catherine: I’m 30. I have polycystic ovarian syndrome, so my cycle is very irregular. I don’t get regular periods and I have been told it might be difficult in the future to get pregnant. I’m definitely not ready at all, so I figured I have some time this summer. I have some money saved, so why not do it. Then I can just not have it on my mind and enjoy the next five years of my life and revisit the matter at a later date. Allison: Let’s talk about your show some more. Are you still touring? Catherine: No, I’m not. As soon as the [Netflix] special came out, I was done with that material. I’m doing all new stuff. I did some shows in London. I did some shows in Austin and LA, and now I’m just working on new [material]. I’m going back to the UK this summer. I’m going to do some dates at the Edinburgh Festival, and I think I might do an encore performance of The Twist. But emotionally, I’m ready to move on creatively. Allison: What is your creative process? Catherine: I was just sitting down this morning thinking, “Okay, girl. You’re so all over the place.” I think what is so hard is that any kind of creative work requires slots of time, and it requires getting bored and reflecting. It is so difficult to do that when we are constantly bombarded with emails, calls, and obligations. I do a weekly show in the East Village where I will try out new material every week. It’s a great way of mAllisoning sure I’m trying out some ideas. With songs, I’ll usually sit down with Henry or another musician. I’ll come in with lyrics or a melody and we will try to throw something together. It’s a lot of improvising, and then with jokes, it’s just a lot of talking, looking at tweets, and seeing what sticks. Allison: Do you find that your greatest ideas come to you when you are not trying to come up with material? Catherine: Absolutely. Allison: Okay, so give me an example of something that you would be doing when an idea strikes; something PG-rated. Catherine: (Laugh) I was just thinking, everything I say is so disgusting. Allison: (Laugh) Catherine: I’m very big on the idea that you can’t force it. I have a new song called, “Blame it on the Moon,” about blaming all my problems on astrology and saying it’s not my fault at all. I’m a mess or I’m rude or whatever, because of the planets. I think that phrase popped into my head when I was just lying in bed one night, and so I wrote it down. If I wAllisone up at 4am or 6am and I’m lying in bed, my mind starts racing and I’m like a genius, and then it all goes away. Allison: Those genius moments, I feel like they’re not inside you, they come through you. It’s like you channel something inadvertently and then you better record or put it down on paper, because just as fast as it came through you, it can evaporate if you don’t put it down. Catherine: I totally agree. With everything I do I think I’m literally so talented and a genius, but I think that is just because of luck. It’s not mine. Things just come to me. It’s what’s in my heart at the moment. I didn’t put it there. Who knows who did? Life is all completely random, and it’s like a balance of being confident and realizing I have nothing to do with any of this. Allison: There is a wisdom in knowing that it didn’t come from you. It came through you and having a healthy respect for that. Once you made the deal with Netflix, do they micro-manage everything, or do they just have you do your thing, and then they air it on their platform? Catherine: I’m sure it is different for everyone. In my experience, the show was already done, and they had seen it. The director and I had the same vision, so they just gave us a budget, we had a production company come on board, and we just shot the show. That was pretty much it. I got to be in the editing room. I was one of the producers, so I got to mAllisone all the calls and I felt very supported and lucky. Steve is such an amazing director. He aCatherineomplished visually what I was seeing in my mind but lacked the skillset to do on my own. It was a seamless process, because as you said, it had just been an organic thing of, I had this piece I was ready to share and then it was just capturing it for the camera. Allison: Will you do another comedy special for Netflix at some point? Catherine: I hope so, if they ask. Who knows? I don’t know how this works. I would love to do another one. We will see

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